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Entries in Snowy Owl (15)

Tuesday
Feb142012

Snowy Winter Owl Safari Workshop Kudos

Snowy Owl LEAN (Nyctea scandiaca, Harfang des neiges, SNOW) Ontario, Canada. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV,  500mm F4 IS with Think-Tank Photo Hydrophobia 300-600 Tripod & Jobu Jr. 3. ISO 1,600, f/5.6 @ 1/1,600s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Snowy Owl Irruption

A Snowy Owl (Nyctea scandiaca, Harfang des neiges, SNOW) takes flight from a snow covered farm field on an overcast day during the great Snowy Owl Irruption that occurred during the winter of 2011-2012. Abundant Lemmings and Voles at their nesting grounds high on the Arctic Tundra ensured large clutches of eggs and fledgling survival (The size of the clutch depends on prey availability; the more prey there is, the more eggs the female will lay). Once fledged, the now massive population of Snowy Owls ate all available food near their nests and started what has become the largest Southern Migration of Snowy Owls ever recorded.

Kudos

"Hi Chris, Great trip, EH!!

Seriously, I want to thank you for a wonderful week. Great company, wonderful opportunities on the Snowy Owls and lots of fun.

I have been on quite a few photo workshops, and what sets yours apart (aside from the fun), is your knowledge of the natural history of the subjects, and your encyclopedic knowledge of nature photography and photography in general. You seemed to know what the Owls would do before they did, and thus we got great shots.

I profited as much from the down time between shots as from the shooting time.  What was so helpful to me was that I not only learned your recommendations for settings, but the why, in detail. You have a depth of knowledge such that when I challenged assumptions (which is natural for me as a physician), there was always a firm explanation leading back to a scientific or photographic principle. As a result I understand exactly why I am using that particular technique, and am completely comfortable with it. I learned a ton!!!

The focus was always on us getting the shots (after the welfare of the wildlife), on learning, and thirdly on fun.

I would go on another workshop with you in a minute, because no matter where it was I know I would learn something.

I really appreciate your scientific approach to photography, your having researched and tested your choices!


I feel fortunate to have had the experience of learning from one of THE BEST.  Thanks for a great week.

Until next outing,"

- Mike Gotthelf Fitchburg | MA | USA

2013 Winter Snowy Owl Safari Workshop announced


Be sure not to miss-out and register early for 2013 Winter Snowy Owl Safari/Workshop HERE 

Saturday
Nov262011

Cold Weather Clothing Tips for Photographers

 Snowy Owl Stance (Bubo scandiacus, Harfang des neiges, SNOW) Ontario. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 IS, Tripod with Tripod & Jobu Jr. 3 with Think-Tank Photo Hydrophobia 300-600. ISO 400, F6.3 1/1,600s Manual mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Winter Owl Report

Just wanted to pass on my thoughts about the coming winter owl season. There's been good movements of our favorite winter owls so far and they have already started to establish their winter feeding grounds. All of the indications are pointing to a great winter owl season. I still have some limited space available on my Snowy Winter Owl Prowl Photo Safari / Workshops.

Cold Weather Clothing Tips for Photographers

Photography in the winter often entails staying warm while staying still in the freezing cold for long periods of time and foregoing any warmth from physical exertion. In the deep cold, when you are not exerting yourself, what you want is loft and insulation; remember that loose fitting clothing offers much more insulation and warmth than tight fitting layers that are so compressed that they actually loose the ability to keep you warm. Synthetics wick chilling moisture away from your skin, are light for travel and dry much quicker than any natural fabrics (Just remember: Cotton Kills!).

Tops: I start with a base layer Double Wicked Lite T Long Sleeve Shirt (remember that cotton traps moisture next to your skin, but synthetics wick moisture away from your skin), followed by a good mid weight fleece Zip Neck Sweater .

Bottoms: Full Length Base Layer with either Nylon zip-off pants or Microchill Fleece Pant if it’s really cold.

Outer wear: Expedition weight bib Gore-tex pants and Canada Goose Parka for the woods (extremely durable and branch resistant), or Expedition weight Down Parka (Really warm and light – perfect for travel).

Feet: As I’ve already mentioned, nature photographers spend a huge amount of time waiting for the image, so it’s extremely important to understand that boot manufacturers rate their boots with the assumption of moderate activity; there is a huge difference in just how warm a boot is when walking or standing for any length of time. I start with a good pair of Warm Socks and add a loose fitting Sorel Boot (I’ve tried so many winter boots, and there’s nothing like the durability and warmth of my Sorels). MICROspikes Pocket Traction System prevent accidental (and sometimes expensive and damaging) wipeouts.

Hands: Keeping your hands warm is quite a challenge; here’s my secret: I start with a loose fitting pair of Thin Liner Gloves which never come off my hands. I place Hand Warmers into the palm of the liner gloves, and when it’s really, really cold, I slip another into the wristband which warms the blood as it travels to my fingers. My choice for outer layer is the Black Diamond Mercury Mitts; be sure to buy a size, or two, larger than normal; this allows you to move your fingers around inside the gloves. The extra room, and fine leather palm of the Mercury Mitts allows me to use most of my camera’s buttons and dials – it takes a little practice, and seems clumsy, but better a little awkward than frozen.

Head: Remember that most heat loss occurs through your head and get a warm Beanie hat (or Touque as we say in Canada) . I often use a Balaclava when it’s really cold to protect my face from the the cold and windchill.

Camera: As for your camera gear, you should pack rain protection in case you are blessed with wet snow, or rain. I am thrilled with my Think-Tank Photo Hydrophobia 70-200 Flash and my Think-Tank Photo Hydrophobia 300-600 V2.0. Unlike the old days, little precaution is required before for your newer generation digital camera bodies are exposed to arctic conditions. Today’s pro camera bodies easily handle the cold weather and recent advances in battery technology easily allow a full day of photography on one charged battery. Consumer and prosumer cameras will also work well, but you should have an extra battery, or two, tucked away in an inside pocket keeping warm. Moving between extreme cold and warm temperatures when going indoors, or out, does cause some condensation; just leave your camera in it’s bag for a couple of hours while it comes to room temperature. Although I won’t remove a lens until my camera warms to room temperature, I don’t fuss much with my professional, sealed cameras; they’ve been from warm to cold and back again thousands of times. It’s good practice to remove the memory card when you are finished shooting and put it in a safe and zippered pocket; this prevents any warm moist air from entering your camera when you get home (or to your hotel), and keeps your images safe if your camera is stolen from you vehicle if you stop for coffee, hot chocolate or to warm-up at a restaurant.

Second Annual Photo Geek Christmas Party

I have just visited to Hudson Village Theater to do a pre show audio & video test and am thrilled to be presenting at such an awesome venue! There is still limited space available, be sure not to miss this show and support such a worthy cause!

Our sponsors have dug deep and collectivly offered thousands of dollars of prizes for this great event! Jobu Designs (makers of my favorite Gimbal Head - the Jobu Jr. 3), FirstPass Image downloader & Editor, Think-Tank Photo, Cotton Carrier, DigiMarc for Images and Tiffen have all jumped on-board and offered tons of prizes to show their suppoort for my Second Annual Photo Geek Christmas Party.

It's not too late to join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!

Read more about it HERE

Sunday
Oct102010

Snowy Owl Silhouette & The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly

 Snowy Owl DAWN SILHOUETTE Bubo scandiacus (Harfang des neiges) Quebec. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKII, 500mm F4 IS ISO 250, F7.1 1/1600s Manual mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Private Winter Owl Prowls

The private winter owl safari/workshop series has proven to be a huge success with people from around the world booking days, or weeks. There are still some dates available, so do consider joining me for a private winter owl prowl. Find out more HERE.

Testimonial

"Hi Chris. The September 2010 Moose and Fall Colors Photo Workshop has been a fantastic experience for me in many aspects. I want to thank you warmly for everything you have done for me, not only with respect to photography but in every respect, such as wildlife and nature, the English language, travel tips, etc. You never hesitated to share your knowledge with the group in general and with me in particular. You amazed me more than one time with your wide array of knowledge. Furthermore, you have been a very pleasant companion all along. I would not hesitate to book another workshop with you, which I intend to do later, depending on my budget and schedule possibilities. I already told you that you are a real gentleman, and I just want to tell you again." Serge Gagné L’Île-Bizard (QC) Canada

Q & A

How do I activate auto focus (AF), when using 1.4x or 2.0x teleconverters with f/5.6 or slower lenses with Canon cameras other than the EOS 1D series? Serge Gagné L’Île-Bizard (QC) Canada.

It is simple. Just place a small transparent piece of tape on the last 3 pins of the converter. The tape should be placed on the left hand side of the converter when looking at it from the lens connection side with the electrical contacts on top. With these three left pins covered, the auto-focus continues to operate on the Rebel and D series Canon cameras with the AF activated. It also works great with the Canon 100-400mm f/4.5-5.6L IS.

The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly

The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly is a new book written and photographed by wildlife photographer and trial attorney Windle Turley. In the book, Turley captures amazing images in the rarely photographed wintering grounds of the monarch butterfly, in the Transverse Neovolcanic Mountains in Mexico. Granted almost-unprecedented access, Turley documents the final destination of this migration that only takes place every four to five generations with vivid, full-colour photographs.

It's easier than ever to publish your own book full of your amazing images, but it's no secret that a book full of only images will end-up on the discount table at your local book store. If you have ever thought of publishing your own book, and wondered how to tell your story, then this is a must have; no only for the story of the Monarch, but because the story is well presented and well told. Turley supplements the images with scientific-based text detailing the migration with complimentary quotations and poems that make a multifaceted book about one of the most engaging and mysterious species know to man.

LEAVE A COMMENT - WIN A BOOK: Leave a meaningful comment and I will randomly choose three lucky folks to receive one of three copies of The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly that I have to give away. The enterprising photographer will also include a link to a photo of a Monarch, or a blog entry about the Monarch. I'll randomly choose the winners and I'll even pay for surface mail anywhere in the world. I won't pay customs, brokerage, taxes or duties, though there shouldn't be any payable.

Tuesday
Jan122010

Basic Exposure Theory: The Sunny F/16 Rule Explained

Snowy Owl Bubo scandiacus (Harfang des neiges) Casselman, Ontario. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 500mm F4 IS ISO 400, F5.6 1/1600s Manual mode. Full Frame. The chart below (in the cloudy bright column) shows the correct exposure to be ISO 400 F/11 @ 1/400s. I chose to stop the action by using a higher shutter speed, so I used the equivalent exposure of ISO 400 F/5.6 @ 1/1600 second. I also knew to expect less detail in the snow and white feathers, because there are no shadows to help define them.

What you shooting at there, Dodds?” echoed across the landscape as I set-up to photograph Snow Geese and Sandhill Cranes in New Mexico about a year ago. “What exposure you at Dodds?” was the question asked by the same gifted photographer just recently. I don’t want to embarrass anyone, so I won’t mention any names here. I truly do think that he is a gifted and talented photographer. He’s widely published and is also the first person to admit that he doesn't really know all the “techie” stuff.....and he was much closer to my exposure this year, than last. 

The single most important skill a photographer should have is a basic understanding of the fundamentals of photography. The most important tool, and the least understood aspect of photography is exposure theory. I learned photography with a totally manual camera and used slide film (seems like so long ago), so a basic understanding was necessary to make successful images.

 Q: Why bother when I can just keep things simple and take a picture, check the histogram and make any adjustments necessary? 

 A: Because having an intimate knowledge of exposure theory and your cameras functions and controls helps you grow and improve as a photographer, make better decisions and better images as a result.

In it’s simplest form, the Sunny 16 rule (or Sunny F/16 rule) states: On a bright, sunny day, the correct exposure for any middle tone subject is F/16 at the shutter speed nearest to the reciprocal of the film speed. For example:

ISO 100 = 1/100 second @ F/16

ISO 200 = 1/200 second @ F/16

ISO 400 = 1/400 second @ F/16

ISO 800 = 1/800 second @ F/16

Now we have established the correct exposure, it’s time to decide if we need more depth of field or shutter speed. Each step up, or down, of one variable represents a doubling, or halving, of any other variable. If you need more shutter speed than 1/100 second @ F/16 (ISO 100), then an equivalent exposure would be ISO 100 1/1600 second @ F/4.

 

This chart illustrates the equivalent exposures for ISO 100 and 200. Each setting above will allow the same amount of light to fall on your digital cameras sensor, or film cameras film. The exposure is the same, with the only difference being either your shutter speed (to freeze or blur action) or the depth of field (very narrow to blur the background, or very large to capture an entire grand landscape sharp).

But wait! It got cloudy. Now what? The Sunny F/16 rule is actually the correct ambient exposure for an average subject under bright sunny conditions. If the sun goes behind a cloud, then the light falling onto your subject is decreased and you must make an adjustment to your basic exposure settings. Here are some aperture settings for some different daylight situations:


This is intended as a starting point, so there are exceptions. Backlight or sidelight both require adjustments to reach the correct exposure. It’s a good idea to expose to the right with your digital camera; 50% of the recorded data is recorded on the right fifth (or 20%) of your digital cameras histogram. With very light subjects in very bright conditions, I routinely subtract light so as not to clip the highlights. With very dark or black subjects, I tend to add light to maximize the recorded detail. Notice the technicals for the Snowy Owl in my previous post; ISO 200 F9 1/1600 second = ISO 200 F22 1/1250 second (or Sunny F/16 rule for light sand or snow) minus 1/3 stop to preserve all of the details in the whites without clipping (or loosing) any data.

Sounds complicated, but if you spend some time digesting and thinking about everything here; you'll be able to get that once in a lifetime shot accurately and consistently with confidence. Not to mention how much you will impress the boys (or girls) when you are all standing around waiting for the shot or talking shop.

If you own an iPhone or iPod touch, there's a great application available for $1.99 called Exposure Calc. I just found it while writing this blog entry and think it is a great learning aid and pocket reference.

If you don't get it, and need to take a test shot, check the histogram, make adjustments, take another test shot; that's okay too, as long as you're having fun and making the odd good image to keep you interested.

Comments welcome & appreciated.

Thursday
Jan072010

The Business of Photography: Negotiation

  

Snowy Owl Blast-off Bubo scandiacus (Harfang des neiges) Quebec. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 300mm F2.8 ISO 200, F9 1/1600s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Top 10 Negotiation Tips:

To succeed in any business, particularly as a photographer, we have to compromise from time to time. The trick is to compromise without loosing what you really need to accomplish your goals.
  1. Learn to ask for what you want: We often fail to ask for a better price or better terms because we are afraid of failure. A good negotiator starts with a clear understanding of what they want, and what they don’t want. People new to negotiation feel it’s awkward to ask for a lower price or better terms. Anyone trying to buy or sell anything will be happy to consider any reasonable offer to help close the deal.
  2. Eliminate disadvantages by acting quickly and decisively. Having a plan and knowing what your goals are is the best way to react quickly to offers or counteroffers. In todays connected world, waiting to reply during negotiations allows the other party time to seek other options.
  3. Deal with the decision maker, but don’t be afraid to have someone who isn’t the decision maker negotiate for you. Use the power of your friendships with other people in the organization you are dealing with to help move the negotiations along in your favour.
  4. Learn to listen. If you are talking; then you are not listening. Good negotiators are good listeners and good communicators. Those that do all of the talking during the negotiation process are usually the ones who loose; they don’t take the time to hear the other sides needs and concerns. By learning to listen, the other side will quite often tell you everything you need to know to win.
  5. Leave your emotions out of the negotiation process and keep your cool. The moment you get angry is the moment you loose. You should not avoid discussing important issues, just avoid discussing them in a heated argument. Negotiations should not be arguments, but avoiding tough issues is not productive.
  6. Don’t make a threat unless you are ready to follow through. 
  7. Remember the power of conversation. It’s easy to misinterpret the tone of an email. Don’t be shy to pick-up the phone and make a phone call. Embrace the spoken word.
  8. Don’t negotiate away from what’s important to you. Remember rule number one.
  9. Don’t be afraid to walk away from a bad deal. Better to have no deal than one you will regret with time.
  10. Get it in writing. I find the best usage licenses are the ones I’ve written myself. Using a standard form contract is a good indication that no negotiations took place.

 

                         Learn it all. Learn it fast. Learn it now.

 

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