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Entries in alaska (17)

Tuesday
Apr022013

Worse Weather = Better Bird Photography

American Bald Eagle Fishing in light snow  II (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 300mm F2.8 L IS USM with Jobu L-Bracket  Hand Held ISO 2,000, f/2.8 @ 1/3,200s Manual mode. Click HERE to order a print or license image for publication.

Worse Weather = Better Bird Photography

Here's another from my recent Bald Eagle Photography Photo Tour. I'm still an advocate of getting out in worse weather to make better and more dynamic images. Here, the pose, action, low angle of view, dark reflection of the nearby steep shoreline, flat water all came together with the snow as the icing on the cake. Do consider joining me for my Bald Eagle Photo Tour & Workshop next March; it's perfectly timed for perfect weather conditions!

Songbirds of Pelee Photo Tour May 9-13, 2013

It's not too late to join me at Point Pelee National Park in Leamington, Ontario (Canada); the most renowned inland location in North America to photograph spring migrants, including colourful warblers, tanagers and orioles. Located in Southern Ontario, Pelee is a small peninsula that juts into Lake Erie, and is first landfall for waves of northbound songbirds crossing the Great Lakes. Birders regularly see more than 100 bird species in a day in the Pelee area, including 25 species of warblers!
This is the kind of place that birding legends about epic fallouts are made. We will also visit Rondeau Provincial Park where we will be setting-up feeders and perches to round-out our portfolios. Register for the Point Pelee Photo Tour Here.

Two Canon EOS 1D Mark IV cameras for sale

Long time friend and multiple Photo Tour participant John Z is selling both of his Canon 1D Mark IV cameras at the incredibly low price of only $2,500.00 each. contact John directly and quickly if interested or for more details: 2010photoman@gmail.com

Thursday
Mar282013

Saint Paul Island Photo Tour Invitation

 

 

Saint Paul Island

Photo Tour Safari & Expedition

June 16-23, 2013 (8 Days/7 Nights)

SPACE AVAILABLE!

 

Join me, Christiopher Dodds for the photographic adventure of a lifetime to Saint Paul Island in the Bering Sea between Alska and Russia.


St Paul is the largest of four volcanic islands which make up the Pribilof Islands in the middle of the Bering Sea (Otter, Walrus, St. George and St. Paul) between Alaska and Russia. It's one of the few places left in the world where you can sit quietly for hours and watch the birds fly past without hearing or seeing any human influence. Along with the small community of Aleut and the seasonal employees at the Trident seafood factory, St Paul is home to over 248 species of birds, the vast majority of the world's population of Northern Fur Seals, blue fox and reindeer.


Nestled amongst the island's vertical cliffs are many thousands of nesting Horned and Tufted Puffins, Least, Crested and Parakeet Auklets, Red-faced Cormorants, Red-legged and Black-legged Kittiwakes, Northern Fulmars, Thick-billed and Common Murres and Glaucous-winged Gulls. Winter Wrens, Snow Buntings, Lapland Longspurs, Ruddy Turnstones, Rock Sandpipers and the Island's own race of the Grey-Crowned Rosy Finch all nest on Saint Paul Island.


Our small group of only six participants is the key to gaining access to the island's very best offerings, and our exclusive transportation and guide ensure we get where we want to when we want for the absolute best photography. This photographic adventure is all about being out there with our cameras; we have travelled too far to spend time indoor in front of a computer or projector! Our days will be long and rewarding with our time split between seabirds, songbirds and shorebirds, and safe access to the Northern Fur Seal blinds.


$4,995.00 includes return air transportation from Anchorage, Alaska, all ground transportation while on Saint Paul Island, profession photographic instruction, our own private guide and sightseeing services and shared accommodations (single supplement is $800.00). Price does not include food or drinks ($50.00 per person per day. payable in advance), gratuities for local guides ($10-$15 per day suggested), souvenirs or items of a personal nature.

Sign-up for the Saint Paul Island Photo Tour / Photographic Expedition of a lifetime HERE

Please scroll down the page to the sign-up form at the bottom.

Tuesday
Aug142012

Jobu Jr. 3 Deluxe Swing-arm Upgrade Announced

Red-faced Cormorant PORTRAIT (Red-faced Shag or Violet Shag, Phalacrocorax urile, Cormoran à face rouge, RFCO) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 1.4X Teleconverter III, 12 & 25mm Cabnon Extension Tubes Tripod & Jobu Jr. 3 (with Deluxe Swing-arm upgrade) ISO 400 f/5.6 @ 1/125s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Junior 3 Deluxe Swing-arm

I first introduced you to my Jobu Jr. 3 Lightweight gimbal head last April HERE and have tried several new and improved prototypes along the way. Ian at Jobu Designs has been actively listening to users and refining the design and has just released a major upgrade making it even better.  They have integrated the quick-release clamp into the swing-arm (something I've asked for since last April), making the entire gimbal lighter, increasing the swing-capacity (max lens collar foot size can be taller & lowers the centre of gravity on big glass) and integrating a premium, custom designed fluted knob for better grip.

I can wholeheartedly attest to this being the very best gimbal for the traveling nature photographer available today.
It is, and has been the only gimbal head I use. If you have any concerns, whatsoever about image sharpness from the new design, simply have a glance at the image of the Red-faced Cormorant above (@ 1/125s), or any of the extremem close-ups made with this tripod head with the new swing-arm in the last few posts here.

Be sure to check out the one piece flash bracket while you are shopping.

SAVE 15% OFF your purchase at the JOBU store and support this site just by using the coupon code "NATURE" at the Jobu website store checkout HERE.

Thursday
Aug092012

Canon 7D Firmware V2.0 Available NOW

Horned Puffin PORTRAIT (Fratercula corniculata, Macareux cornu, HOPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III, Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/250s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Canon EOS 7D Firmware V2.0 Available NOW

Canon has finally made the new firmware V2.0 for the Canon EOS 7D that we told you about HERE back in June available for FREE download. With improved buffer size increase to a whopping 25, this will be like getting a whole new camera upgrade free. For a list of features, simply follow THIS LINK to my blog post where I shared the Canon Press Release. To Download the free update, simply click the link below:

DOWNLOAD CANON EOS 7D FIRMWARE V2.0 HERE

Wednesday
Aug012012

Tufted Puffin Safari Workshop Update

 

Tufted Puffin PORTRAIT (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 1.4X Teleconverter III & 25mm Extension Tube, Tripod & Jobu Jr. 3 ISO 400 f/9 @ 1/400s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer in manual mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

 

Upcoming workshops:  http://bit.ly/X7GaVv

Wednesday
Jul252012

Design Images with Visual Impact

Thick-billed Murre or  Brünnich's Guillemot VERTICAL PORTRAIT (Uria lomvia, Guillemot de Brünnich, TBMU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & , Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/320s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ -1/3. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a couple of images from my recent Saint Paul Island Photo Safari / Workshop. We arrived there as spring was late emerging from the worst winter anyone can remember and there were shaded areas at the bottom of cliffs where the snow had not melted yet. Although I generally don't like bright white backgrounds in images, I decided to make an exercise of designing some images with white backgrounds; there is a certain quality to the white out-of-focus snow that's much more appealing to me than that of a bright & backlit white sky.

I really like getting close and designing intimate portraits with big glass, so I installed my 500mm f/4 and a 2X extender and moved so close that I had to back away to the lens' minimum focusing distance. Once set-up on my tripod and Jobu Jr. 3 gimbal tripod head, I installed my Jobu off-camera flash bracket and my Canon 580 EXII flash.

Designing these tight, almost high-key portraits can be challenging, but careful attention to balancing all of the images' elements can be quite rewarding. Be sure to spend time studying the colours, tones and textures, (or, perhaps, the lack of colours tones and textures), the positive and negative space and the lines, shapes and where they lead the eye. Look for angles and perspective, and try to visualize how changing them by moving your angle of view will impact, help or hinder your image's design.

Black-legged Kittiwake PORTRAIT CALLING (Rissa tridactyla, Mouette tridactyle, BLKI) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & , Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/500s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ 0. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Be sure not to overlook the creative element of your exposure values; should you use an equivalent exposure with slower shutter speed and larger depth-of-field?, or will a shallow depth-of-field with higher shutter speed blurr the background (or foreground) and draw the viewer in for a closer look at the subject?

No matter where you are, what your subject; stop and think a little about designing the image and not taking the picture.

Thursday
Jun282012

Canon EOS 7D Firmware V2.0 Announced

Crested Auklet Portrait (Aethia cristatella, CRAU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher DoddsCanon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & Canon Extension Tube EF 25 II, Tripod & Jobu Jr. 3 ISO 1,600 f/8 @ 1/160s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ -2&2/3. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a portrait of a one of my favorite birds of Saint Paul Island. This portrait was made by slowly working my way to the cliff edge and pointing my camera straight down at the bird. It took a little patience to get the bird looking directly at me as I wanted it, and I just love the dark out-of-focus rocks that makes the background. We had amazing weather for June, with barely a sprikle of light rain during our entire eight day trip. Our return to Anchorage was delayed 24 hours due to fog, but that was a small price to pay for such a rewarding trip.

Do be sure to book early for my 2013 Safari to Saint Paul Island next June to avoid planned price increase.

Canon EOS 7D Firmware V2.0

Canon has announced an upcoming firmware update, 7D Firmware Version 2, for the 18 Megapixel EOS 7D that includes a raft of new features to further enhance the capabilities of Canon’s flagship APS-C format DSLR.

The new EOS 7D Firmware Version 2 update will enhance the camera with the following additional features:

Improved RAW maximum burst

In the EOS 7D the maximum burst of RAW file frames was 15 – with the firmware update this will be significantly increased so that the camera’s buffer will handle up to 25 RAW frames in a continuous burst.

In-camera RAW conversion

The EOS 7D will allow for in-camera post-processing of images. RAW images can be edited in-camera and options can be changed before saving the finished file as a ready-to-print JPEG or for sending wirelessly. This function can be used with full resolution RAW files, but not with M-RAW or S-RAW files.

The settings for in-camera RAW processing include White balance, Picture Style, High ISO speed noise reduction, Colour Space, and lens data corrections (Peripheral Illumination Correction, distortion correction and Chromatic Aberration Correction).

Image rating capabilities

Like other Canon EOS DSLRs, such as the EOS 60D, EOS-1D X and EOS 5D Mark III, the EOS 7D will be able to rate images from 1 to 5 stars in-camera for quicker and easier sorting of images within your workflow. The ratings can be used to sort images in applications such as Adobe Elements, Adobe Bridge and Apple Aperture. The ratings are XMP compliant and Canon’s Digital Photo Professional software has been updated to reflect this.

Auto ISO maximum setting

Within the EOS 7D’s shooting menu photographers will have the ability to set a maximum ISO speed for ISO Auto, within the ISO range of 400-6400, so that you can minimise the amount of noise in your images.

Manual adjustment for audio recording levels

During EOS Movie shooting you will be able to manually adjust the audio recording levels to one of 64 levels, whilst the sound volume during playback can be set to one of 11 levels. During movie recording noise from the aperture is reduced and the camera also has an automatic wind cut filter.

JPEG resizing

Within the camera’s image-recording menu with all JPEG images you will be able to resize the image (for image downsizing) and save it as a new image. JPEG L and M images can be resized and saved as separate JPEG M or S images. Note that the aspect ratio cannot be changed.

Support for the GP-E2 GPS unit

The GP-E2 unit arrived with the EOS 5D Mark III and this firmware update will enable the GPS unit to be used with the EOS 7D, via a cable connection, so that photographers can geo-tag images with latitude and longitude data in the EXIF fields.

Quick Control during playback

With the Quick Control (Q) button pressed during image playback photographers will be able to select options for protect images, rotate images, rate images, resize images, highlight alert, AF point display and image jump.

File name setting

In the EOS 7D’s camera settings menu in user setting 1 the first four characters of the file name can be adjusted, whilst in user setting 2 the first three characters of the file name can be adjusted and the fourth will be set automatically according to the recording quality.

Time Zone setting

Within the EOS 7D’s camera settings menu you will be able to set the time zone, plus daylight saving time can also be set.

Faster scrolling of magnified images

The screen scrolling speed will be faster for scrolling through images when they are enlarged. The ease of use is improved when using the camera to zoom in and check focus.

The existing impressive specifications of the EOS 7D include up to 8fps shooting speed, high ISO sensitivity up to 12,800 for low light shooting, an iFCL metering system with a 63-zone Dual-layer Metering Sensor for superbly accurate exposures, plus outstanding in-camera Speedlite Transmitter flash technology.

Stay tuned here for the new firmware when it becomes available soon.

Wednesday
Nov022011

How to photograph birds in flight in low light

Tufted Puffin In Flight #1 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Photographing birds in flight in low light is quite challenging; it's not easy. I love photographing seabirds, and that often means shooting small, and often erratically moving targets; fast and unpredictable little fliers from the top of coastal cliffs in bad weather. The biggest problem to overcome is our need to always grab our longest lens and our reluctance to shoot wide open at high ISO (for Canon users, anyway). I recently had a discussion with a photographer who told me he didn't need a camera capable of shooting 10 fps (frames per second); he timed the wingbeats and only took one frame at a time. Well, let's just say that was one photographer who had a couple of good birds in flight images in his portfolio, but Florida Great Blue Herons are tame, huge, fly slowly and do have predictable wingbeats. What I want to share today is how I succeed (more, or less) at shooting bullets that move at 55 MPH with 100-400 wing beats per minute; I'm talking, of course, about photographing Puffins in flight. I was fortunate to photograph all three North American species of Puffins this summer, on both the East, and west coast. In June I hosted my annual Puffins Galore (and so much more) workshop for the Atlantic Puffin, and then I photographed the Horned and Tufted Puffins of Saint Paul Island (more images to come soon).
Tufted Puffin In Flight #2 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

First of all, get over your phobia of shooting wide open and using a high ISO. You are going to need a shutter speed of at least 1/2,500 of a second, but I prefer 1/3,200 of a second to freeze the fast action; this usually means using an ISO of at least 1,600 and an aperture of at least f/5.6 (always in manual mode). I try to get as close as possible in low light and low contrast conditions; I try to use the shortest lens possible, while trying to fill the frame. Using only the centre auto-focus point only usually helps the autofocus system lock onto your subject, but it's going to take more than relying on your camera to acquire focus. I generally try to pick-up repetitive flight patterns; I try to predict where the bird I am trying to shoot will fly and pre-focus on something near there so the auto-focus system doesn't have to spin the lens much to acquire sharp focus. Once locked-on to my subject, it's all up to me to keep the focus point on the subject and hit the stutter button at 10 fps; the best way to be able to do that is practice; over, and over again.
Tufted Puffin In Flight #3 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

I decided to post three sequential, full frame images of Tufted Puffins from a recent trip to Saint Paul Island (The Pribilof Islands), Alaska to demonstrate that it is possible to pull off what seems like the impossible. I left my tried, tested and true Canon EF 300mm f/2.8L IS II USM Telephoto Lens at home, instead opting for my favorite new 70-300mm f/4-5.6 L IS USM and threw it on my Canon EOS 1DMKIV. I set-up my exposure in manual mode and checked the histogram to make sure the blacks from the wet rocks below the cliffs I was standing on weren't blocked-up against the left edge to minimize noise, and carefully made sure I had no over-exposed whites on the right edge to ensure the most detail in the whites. Once sure of my exposure, I watched for the Puffins flight path and pre-focused on a rock where I thought the bird would fill the frame. Now pre-focused on the rock, I saw the bird fly in and followed it until it started to fill the frame, partially depressed the shutter button to activate the auto-focus system and hit the trigger at its maximum capture rate of 10 fps. Truth be told; I waited a fraction of a second too long for this sequence, and ran the risk of clipping the Puffin's wing-tips, but it worked-out fine with three action shots that I liked enough to keep (No, I won't teach you how to reconstruct the wingtips if you clip them, but I will teach you how to capture the image right, in the camera - smile).

Which of the three images here is your favorite & why? Leave a comment and you could win a free copy of the new Mac editing software FirstPass.

Second Annual Photo Geek Christmas Party

Great news! Jobu Designs (makers of my favorite Gimbal Head - the Jobu Jr. 3), Think-Tank Photo, Cotton Carrier, have all jumped on-board and offered tons of prizes to show their suppoort for my Second Annual Photo Geek Christmas Party. I expect other sponsors to make offerings and encourage contributions - email me if you would like to donate and promote your product chris(at)chrisdoddsphoto(dot)com

Join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!

Read more about it HERE

Saturday
Oct152011

FirstPass mini review and Thick-billed Murre

Thick-billed Murre PORTRAIT (Brünnich's Guillemot, Uria lomvia, Guillemot de Brunnich, TBMU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS & Canon Extension Tube EF 25 II, Tripod & Jobu Jr. 3 Full Frame. ISO 1,600 f/9 @ 1/400s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

FirstPass Mini Review

One of the most important things I do each night, after a day in the field, is download and edit (or cull) the images I shot that day. If you think of how much time I spend in the field, I’m sure that you appreciate how important it is for me to deal with that day’s shoot without delay; it’s my way of preventing a massive overload of editing between trips, and returning to my studio with Terabytes of images to deal with.

A friend recently released new software called FirstPass in the Apple App Store. FirstPass is built, from the ground up, by a photographer for Mac OS and is available from the App Store for only $9.99. It is designed to download multiple cards automatically (you can even download to a second destination like a back-up drive simultaneously), motor through your images and make that critical First Pass edit; view each image and delete the obvious rejects and rate the obvious prizes. Re-naming files has never been easier and I love the large screen previews, accurate color space and ease of use. There are other solutions out there, but they are all much more expensive. This is a refreshing new tool that I see myself becoming dependent upon to get my job done!

I often see folks on my workshops importing every image they shoot into Aperture or Lightroom at a painfully slow pace – FirstPass is the perfect companion to quickly speed through their day’s shoot, delete the obvious misses and rate the obvious winners before import. It’s brilliant in it’s simplicity and the value at $9.99 is extraordinary.

The next version will remember recently downloaded cards, to ensure that you don’t accidentally download duplicate images if you forgot to format a card.

Check out Firstpass in the CANADIAN APPLE STORE HERE

Check out Firstpass in the US APPLE STORE HERE

Wednesday
Sep212011

Blue Fox and Stealth Gear Photography Clothing

Blue Fox Kit Wildflower Slumber (Vulpes lagopus pribilofensis, Arctic Fox, Renard polaire) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS. Tripod & Jobu Jr. 3 Full Frame. ISO 800 f/11 @ 1/400s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a Blue Fox from my recent trip out in the Bering Sea to Saint Paul Island in Alaska. It was a thrill to find this Kit sleeping in a field of wildflowers. I am currently setting-up a trip there next June 16-23, 2012, so be sure to email me to get on the short list for the trip. Many more images to follow..

Stealth Gear

Canadian Nature Photographer Christopher Dodds wearing Stealth Gear Extreme Urban Photographers Jacket/Vest. Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright and courtesy of Alfred Forns - thanks, Al.

I have been testing the Stealth Gear Extreme Urban Photographers Jacket/Vest since June. So far, the jacket has been to Bonaventure Island for my Gannets Galore workshops in June and again in September, it was perfect for my Puffins Galore workshops in July and it's traveled to Alaska with me for my Brown Bears Galore workshop, and again to Saint Paul Island in the Bering Sea. Overall, it's seen about 75 days of intense, dawn to dusk, field work. There is a little room for improvement, but as I examine the newest version of their Extreme Urban Photographers Trousers 2N, I can see how hard they are working to make them perfect. I'll write a full review when I get back from Maine where I hope to put the trousers to the test. I can say that I know of no better photographers jacket out there; it's particularly suited to the coastal climate in Alaska and that of the East coast in Canada. SAVE 15% OFF your purchase at the STEALTH GEAR store and support this site just by using the coupon code "NATURE" at the STEALTH GEAR website store checkout HERE.

 

Friday
Mar182011

Is it sharp enough - LensAlign MKII

Kodiak Red Fox Kit Vulpes, vulpes, Renard Kodiak Island, Alaska, USA. Image Copyright ©Christopher Dodds Canon EOS 1DMKIV, 500mm F4 L IS, Tripod & Wimberley Head II.  ISO 1600, F4 @ 1/250s Manual Mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Is it sharp enough?

I've got to say it; an image is either sharp or soft, there is no in-between, no compromise and no faking it. If you know it's not razor sharp, you are only kidding yourself by trying to fake it. While it is true that an "almost sharp" image can be tweaked in Photoshop to look good at web size, the truth is always revealed when someone wants a big print. There may be more to it than simply good technique; have you calibrated your camera?

LensAlign MKII

I first told you about the LensAlign focus calibration tool in Nature Photography Blog back in August, 2010. Michael Tapes is at it again, he recently sent me the LensAlign MKII. The new and improved knock-down design, lower price and proven consistency from the True Parallel Alignment Sighting System™ are well worth the upgrade, but the most compelling reason for my excitement is the new ruler patterns; it is now much easier to decide where the sharpest part of the ruler is. Truly a must have for any serious photographer, The LensAlign MKII is the key to making consistently sharp images.

Help support this site and PURCHASE HERE

Images Digitally Watermarked by Digimarc | Get More Information on How to Digitally Watermark ImagesImages on the website have been digitally watermarked with ownership and usage information. Digimarc and the Digimarc logo are registered trademarks of Digimarc Corporation. The "Digimarc-Enabled" Web Button is a trademark of Digimarc Corporation, used with permission. SAVE: use coupon code ‘naturephotography’ for 30% off your subscription to Digimarc for Images.                                             
Sunday
Jan302011

Nature Photography Workshop Safari update

Coastal Brown Bear Big Boys Play in the Rain (Ursus arctos or Grizzly Bear) Kukak Bay, Katmai National Park, AK. Image Copyright ©Christopher Dodds Canon EOS 1DMKIV, 500mm F4 L IS, Tripod & Wimberley Head II. ISO 1000, F4 @1/320s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION. All Rights Reserved.

Workshop update

2011 workshops / safaris are filling fast! It only took three weeks to sell-out the entire winter Owl Prowls and now the July Bears Galore Coastal Brown Bears of Katmai and the July 5-7 Puffins Galore are sold out. Here's a list of what's still available:

May 9-13, 2011 Songbirds of Pelee An event not to be missed!

June 15-17, 2011 Gannets Galore Action packed daily Zodiac voyage under the colony! Guaranteed Gannets!

July 1-3, 2011 Puffins Galore Puffin Paradise!

September 26-30, 2011 Moose and fall colors of Maine Baxter State Park at it's finest!

Be sure to email me if you are interested in being the first to receive details for the 2012 Coastal Brown Bears of Katmai trip chris@chrisdoddsphoto.com

 

Images Digitally Watermarked by Digimarc | Get More Information on How to Digitally Watermark ImagesImages on the website have been digitally watermarked with ownership and usage information. Digimarc and the Digimarc logo are registered trademarks of Digimarc Corporation. The "Digimarc-Enabled" Web Button is a trademark of Digimarc Corporation, used with permission. SAVE: use coupon code ‘naturephotography’ for 30% off your subscription to Digimarc for Images.                                             
Saturday
Sep112010

September 11 Tribute

American Bald Eagle MOURNING SONG , Haliaeetus leucocephalus (Pygargue à tête blanche) Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 500mm F4IS ISO 400, F4 1/250s Manual mode. Gitzo 1325 tripod and Wimberley Head. Click HERE to order a print or license image for publication.

The world changed nine years ago on September 11, 2001. This image is my tribute to that tragic day.

 

Monday
Aug302010

Adobe PHOTOSHOP CS5; A New Life for Old Images & Bald Eagle Reflection

Bald Eagle REFLECTION (Haliaeetus leucocephalus, Pygarge à tête blanche) Kachemak Bay, Homer, Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm F4-F5.6 @ 260mm . ISO 400, F7.1 1/260s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication.

Bald Eagle REFLECTION was captured when I saw this Eagle in the fog drinking from a thin layer of water covering an ice-covered parking lot just after a somewhat mild and rainy morning in February, 2005. Rather than take the chance and spook the Eagle, I used my rental SUV to, ever so slowly, approach. Rather than drive directly toward it, I instead circled around, slowly reducing the circumference until I was close enough to get the image I had in mind. I positioned the SUV close enough to fill the frame, but more importantly, close enough to get a steep enough angle to include the reflection and eliminate some distracting buildings, stones and dark asphalt patches in the background.

I've just completed a submission which included some old favourites from 2005. Not all that long ago, really, but seems like a lifetime ago in terms of my post capture workflow and software. Photoshop CS5, with it's newly tweaked noise reduction algorithms, has certainly brought a new life to some old favourites. If you think the noise reduction works wonders on the files from recent cameras; go back through your archives and re-work some of your favourites from the past. It's not only the noise reduction that's new; there's a plethora of new tools and algorithms in Adobe's latest offering, not to mention what you have learned, and how you have grown as an artist, along the way. I always say that every image in my collection has a story; so it's been fun looking through the memories - give it a try.

Testimonial

I have known Chris for a few years and in July 2010 I attended Chris’s workshop for Coastal Brown Bears. The trip will always hold very special memories for me as I can honestly say it was the most enjoyable and productive trip I have ever made, and the most exhausting :o))   As a professional photographer I tend to try and put together my own trips but when I heard Chris was organizing this trip I had no hesitating in contacting Chris and booking. I would advise anyone else to do the same.

From the moment I landed at Kodiak airport we were out shooting literally within a few hours. Everyday we made the most of early morning and late evening light. Photographing some days till 11pm.  The amount of subjects we captured was unbelievable: Fox Cubs, Song Birds, Eagles, Seals, Sea Otters, Wolves and…  BEARS! 

After spending three days on Kodiak Island we headed for the Katmai coast by float plane and stayed on the Coastal Explorer, which was our home for a week.  Almost everyday we had a different location to go to and made the most of the weather. At times it rained non-stop and at others I was walking around in just a t-shirt.  Getting up close and personal with the bears was the ultimate thrill and having an enormous boar run, at what seemed directly at me whilst chasing salmon, was a heart thumping moment I will never forget; Though our safety was Chris' primary concern.

Life on the Coastal explorer was fun and we were all well looked after with meals ready for us at all times.  Downtime was relaxed and we watched movies and even spent one afternoon fishing where I caught Halibut and a silver salmon. Plus I landed the biggest Halibut, don’t let Chris tell you otherwise :o))   As you can tell even when we were not photographing we were having fun.

If you are considering such a trip or one of Chris’s other workshops my advice is not to hesitate and to book straight away.  You will be guaranteed a good time and have plenty of photos and memories to take home with you after the trip.

Thanks for a great time Chris and I look forward to the next one!!

Best Wishes- Darren Holloway (FMPA FBIPP QEP) Smallfield | Surrey | UK

Friday
Feb262010

American Bald Eagles Tumbling - Breaking the rules - Save 25% off Point Pelee Annual Pass

 Bald Eagle Tumble Abstract (Haliaeetus leucocephalus Pygarge à tête blanche) Kachemak Bay, Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark III, 500mm F4 IS, 1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 400, F5.6 1/1600s Manual Exposure. Full Frame. Cropped from left and right to 4x5 Aspect Ratio for visual impact. BUY A PRINT OR LICENCE IMAGE FOR PUBLICATION HERE.

Bald Eagle Tumble Abstract  (Haliaeetus leucocephalus Pygarge à tête blanche) Kachemak Bay, Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark III, 500mm F4 IS, 1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 400, F5.6 1/1600s Manual Exposure. Full Frame. Here is the original, un-cropped image. BUY A PRINT OR LICENCE IMAGE FOR PUBLICATION HERE.

Breaking the rules...

I strive to always challenge myself to break the standard rules of art, composition and photography; especially when mother nature works against me. In the case of the image above, I was simply making the most of a bad situation; the wind was blowing against the afternoon sunlight and all of the other photographers had opted to take the afternoon off to rest or edit their images. I watched and saw that I might have a chance at something artsy, or abstract, to salvage the afternoon. As I typically challenge myself to compose my images in-camera and shoot full-frame, without cropping, I thought I would include the original, un-cropped version for you to see how cropping, or changing the images aspect ratio, changes the visual impact of the image. While it's generally a good idea to include your subject's face, or eyes(preferably with good eye contact); once in a very great while you can create something nice without including either.

The broken rules:

  • Always photograph birds-in-flight with the wind and sun at your back.
  • Always include your subject's face
  • Always ensure at least one eye is critically sharp & in-focus
  • Always ensure strong eye contact between viewer and subject
  • always follow the rules

Kudos

"I wanted to thank you for a wonderful owling trip last week.  It was great to be in the field with you and I learned a great deal about the birds, environment and my camera.  Thanks so much for being such a great naturalist, photographer and trip leader.  I will go on another trip with you in the future."                                                                                                                                                         - Lynda Goff Santa Cruz, CA (Professor Emeritus Ecology & Evolutionary Biology UC Santa Cruz)

Save 25% on your Season pass to Point Pelee National Park of Canada

Buy or renew your annual pass to Point Pelee National Park of Canada and save 25%. From February 1, until March 31, 2010, take advantage of this great offer to start your preparations for this year's spring migration. Simply call (519) 322-2365, extension 200 from Monday to Friday from 8:30 am until 4:30 pm. I always recommend the Family (or group) pass, as this let's you enter through the automated gate and skip the sometimes lengthy line-ups each morning.

Monday
Dec072009

Emperor Goose

Emperor Goose (Chen canagica, Oie empereur) Homer Spit, Homer, Alaska, USA. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, Gitzo tripod and Wimberley Head. ISO 400, 1/100s F11 Manual Exposure. Full Frame.
Emperor Goose Close-up detail (Chen canagica, Oie empereur) Homer Spit, Homer, Alaska, USA. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head. ISO 400, 1/30s F20 Manual Exposure. Canon 550EX II flash in manual mode. Full Frame.

Perhaps the most striking goose in North America, this small goose is seldom seen because of it's high-arctic haunts, where it is never far from coastal tundra. The Emperor Goose, Chen canagica, breeds on the coast of northwestern Siberia, St. Lawrence Island, and around the Bering sea, mostly in coastal northwestern Alaska. Winters mainly in the Aleutian Islands but wanders also down the North American western coast as far as California. Due to its low population size, and restricted range, the Emperor Goose is especially vulnerable to local catastrophic events, such as oil spills. In winter, the majority of the global population of this species can be found in the Aleutian Islands. Eskimos once rounded up thousands in "goose drives" during post-breeding, the flightless molt period, then drove them into traps to be killed for food. The Emperor Goose population is thought to be on the rise in Alaska after an unexplained decline from an estimated 139,000 in 1964 to only 42,000 in 1986.

Inner Game of Outdoor Photography

(Galen Rowell ISBN13: 978-0-691-14069-8) After posting the book reviews in my last entry, I received numerous requests for more; mostly from people looking for the perfect Holiday or Christmas present for photographers. If I could make a single suggestion for anyone interested in outdoor photography, It would be Galen Rowell's Inner Game of Outdoor Photography. Rowell, his wife Barbara Cushman Rowell, pilot Tom Reid, and Reid's friend Carol McAffee, were killed in a plane crash near the Inyo County Airport in Bishop, California on the 11th of August, 2002. They were returning from a photography workshop in Alaska.

“Galen Rowell was a man who went into the mountains, into the desert, to the edge of the sea, to the last great wild places in the world to be absorbed by their grace and grandeur. That is what he did for himself. For the rest of us, he shared his vision with—click—the release of a shutter, creating photographs as timeless, as stunning, and as powerful as nature itself.” –Tom Brokaw, from the foreword of Galen Rowell: A Retrospective

In sixty-six essays based on his popular Outdoor Photographer monthly column and with more than 160 color photographs, Galen illustrates how he transforms what he sees into vivid, memorable works of art. He clearly explains why “pre-visualizing” a photograph before exposing any film is one key to making an arresting image rather than a mere replica of what we see through the viewfinder. Includes advice on practical, technical matters, packing for travel, pushing film to extremes, and when to use fill flash and smart flash. Galen was instrumental in my early development as a nature photographer. I remember reading, and re-reading, every word he wrote for Outdoor Photographer; and that was long before I had access to the internet. This book should be a "must have" for any outdoor photographer.

Comments welcome & appreciated.

Thursday
Nov122009

The Screaming Eagle & when not to use flash

Bald Eagle (Haliaeetus leucocephalus Pygarge à tête blanche) Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter,1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 640, F20 1/80s Manual Exposure and Manual Focus. Full Frame. Click HERE to order a print or license image for publication.

I have been to Alaska to photograph Bald Eagles many times, and always wish for golden light during the first, and last, hour of light. It's often cloudy when I'm there, and my flash is always mounted and ready to go. Typically I would use some light fill flash on heavily overcast days; even when this bird looked to the side I used fill flash. The thing is, I was looking for a perfectly framed, tight portrait of a screaming eagle; and I wanted to see straight down it's throat without any shadows. The single best time to get this shot was during a snowstorm when the clouds and snow diffuse the natural light and bounce it around creating a virtually shadowless world.  It was hovering around freezing and the snow was changing to rain (as we'd endured for a couple of days). I saw this eagle singing and decided to dedicate some time to this shot. So, why no flash? Simple, It would have created a shadow from the front part of it's beak that is hooked downward.

Comments welcome & appreciated.