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Photography Workshops by Canon Northern Explorer of Light Christopher Dodds

 

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Wednesday
Nov152017

They are back Snowy Owl a la Sony a9

Snowy Owl GEAR DOWN (Bubo scandiacus, Harfang des neiges, SNOW) Southwestern Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS and Sony 1.4X 560mm. Almost full frame image. ISO 1,000 f/8 @ 1/2,500s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

They are back!

There have been numerous reports of Snowy Owls arriving over the past week. I was out running errands with my wife, Julie, on Monday and we saw three without trying. I went out with my New Sony gear this morning and quickly found one perched on a stop sign. I think we are headed into a great owl season this winter!

There are still a few spots available for my Winter Owl Workshops. CLICK HERE TO LEARN MORE about my WINTER OWL WORKSHOPS.

The Sony a9 and Sony 100-400 G Master lens continue to impress! I grabbed this image out the passenger window of my truck as it took off when I approached (I removed the top of the Stop sign from the image). The autofocus immediately locked-on, and every frame in the sequence of 12 images I took was razor sharp; Gone are the days of quickly eliminating 30-35% of images captured in a burst because they were not razor sharp!

Thursday
Oct262017

Atlantic Puffin CATCH OF THE DAY

Atlantic Puffin CATCH OF THE DAY (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 800 f/5.6 @ 1/5,000s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Getting back to the immense number of Puffin images produced with the Sony a9 & Sony 100-400 G Master during my Deluxe Puffins Galore workshop in July/August. Here is another Puffin with Capelin image; full frame at 400mm. I have said it before, and I will say it again: The new auto-focus is unstoppable! The number of Puffins returning to their burrows with Capelin was similar to other years, but the number of tack sharp images @ 20fps was tough to edit thanks to the Sony a9.

Sony RX-10 mark IV Mini-review

I am in the midst of preparing for a bunch of presentations, but want to share that I  received my Sony RX-10 Mark IV a couple of weeks  ago, and the first results are remarkable. Although it won't fit in a pocket (I didn't expect it to, and my phone is already there and ready for those shots), the idea is to always have a camera with me that has fast auto-focus (.03 second focus acquisition), 24 frames per second and a built-in zoom that covers from 24 to 600mm at f/4. This is for those times when you see a something and wish you had brought your full camera rig. Of course, like all things in the photography world, there are trade-offs, so you shouldn't expect it to produce files like the a9 at higher ISO. Overall, the Sony RX-10 Mark IV has impressed and delivers everything promised. It is a great introduction to the Sony world for those photographers fully invested in other brands, and a great camera choice for all naturalists, birders or sports fans and parents!

Canon Lenses for Sale

Email me an offer! chris@chrisdoddsphoto.com

  • Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x US$9,000.00 or CAD$11,000.00 OBO
  • Canon EF 85mm f/1.2 L II USM Telephoto Lens US$1,600.00 or CAD$1,900.00 OBO
  • Canon EF 24-70mm f/2.8L USM Zoom Lens (Version I) US$1,100.00 or CAD$1,300.00 OBO
  • Canon EF 70-300mm f4-5.6L IS USM Lens 1,100.00 or CAD$1,300.00 OBO
  • Canon Speedlight 580EX II Flash US$210.00 or CAD$250.00 OBO
Thursday
Sep212017

Fall Fawn Portrait a la Sony a9

Eastern White-tailed Deer Fall Fawn Portrait (Odocoileus virginianus, Cerf de Verginie) Alt Island, Morrisburg, Ontario, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS and Sony 1.4X 560mm. Full frame image. ISO 2,000 f/8 @ 1/160s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Another image from my recent outings testing my Sony a9. This time, I was ready with my 100-400 G master lens and the Sony 1.4X Tele-extender while wandering around looking for fall birds when I noticed a pair of White-tailed Deer fawns. I am still blown away by the Sony a9 phase detect auto focus system! 

Here's wha't left of the massive Canon gear sale:


I’m cleaning out the gear closet, and looking for new homes for some great gear. Everything is in new to near new condition:

Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x US$9,000.00 or CAD$11,000.00 OBO

Canon EF 85mm f/1.2 L II USM Telephoto Lens US$1,600.00 or CAD$1,900.00 OBO

Canon EF 24-70mm f/2.8L USM Zoom Lens (Version I) US$1,100.00 or CAD$1,300.00 OBO

Canon EF 70-300mm f4-5.6L IS USM Lens 1,100.00 or CAD$1,300.00 OBO

Canon Speedlight 580EX II Flash US$210.00 or CAD$250.00 OBO

Feel free to email me for information, or to make an offer!

chris@chrisdoddsphoto.com

SOLD: Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Zoom Lens

SOLD: Canon EF 100-400mm f/4.5-5.6 L IS II USM Lens

SOLD: Canon EOS 1DX Mark II Body 36,000 actuations

SOLD: Canon EOS 1DX Mark II Body 56,000 actuations

SOLD: Canon Speedlight 600EX II-RT Flash

SOLD:Canon EF 600mm f/4.0L IS II USM Telephoto Lens

SOLD: Canon EOS 7D Mark II Body

SOLD:Canon EF 100-400mm f/4.5-5.6 L IS II USM Lens

SOLD: Canon EF 70-200mm f/2.8 IS II USM Telephoto Zoom Lens

SOLD: Canon EF 8-15mm f/4.0L Fisheye Lens

Wednesday
Sep202017

Canon Gear Sale

I’m cleaning out the gear closet, and looking for new homes for some great gear. Everything is in new to near new condition:

Canon EF 85mm f/1.2 L II USM Telephoto Lens US$1,600.00 or CAD$1,900.00 OBO

Canon EF 8-15mm f/4.0L Fisheye Lens US$1,100.00 or CAD$1,300.00 OBO

Canon EF 24-70mm f/2.8L USM Zoom Lens (Version I) US$1,100.00 or CAD$1,300.00 OBO

Canon EF 70-300mm f4-5.6L IS USM Lens 1,100.00 or CAD$1,300.00 OBO

Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x US$9,000.00 or CAD$11,000.00 OBO

Canon Speedlight 580EX II Flash US$210.00 or CAD$250.00 OBO

Feel free to email me for information, or to make an offer!

chris@chrisdoddsphoto.com

SOLD: Canon EF 16-35mm f/2.8L II USM Ultra Wide Angle Zoom Lens

SOLD: Canon EF 100-400mm f/4.5-5.6 L IS II USM Lens

SOLD: Canon EF 100-400mm f/4.5-5.6 L IS II USM Lens

SOLD: Canon EOS 1DX Mark II Body 36,000 actuations

SOLD: Canon EOS 1DX Mark II Body 56,000 actuations

SOLD: Canon Speedlight 600EX II-RT Flash

SOLD:Canon EF 600mm f/4.0L IS II USM Telephoto Lens

SOLD: Canon EOS 7D Mark II Body

SOLD: Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens

Friday
Sep152017

Atlantic Puffin with Capelin Bouquet

Atlantic Puffin with Capelin bouquet (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 3,200 f/5.6 @ 1/3,200s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here’s another image from my Deluxe Puffins Galore Workshop in Quebec. The photographic opportunities with the Puffins and Razorbills were endless! The Sony Alpha a9 auto-focus was simply unbeatable; it locked onto the small and fast Puffins and Razorbills time and time again! So far, at least eight of the fine folks who joined my four back-to-back trips have ordered a a9 with the Sony 100-400 after they tried my loaner.

As I continue to write my short & detailed auto-focus set-up guide, I continue to test my Sony equipment and am simply blown away by the image quality, the auto-focus performance and just love how light and manageable it is. I am going off to spend a few days with the Metabones adapter which will allow me to use my Canon 600mm f/4 II with the Sony Alpha a9, then my great friends Al & Fabs @ CasaForns have gifted me a Sigma adapter which will be here next week for me to test; thanks AL & Fabs. Stay tuned, but everything I am hearing is that they should work-out just fine

Wednesday
Aug302017

Sony Alpha a9 High ISO Birds in Flight Performance

Atlantic Puffin RAINFLIGHT (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 8,000 f/5.6 @ 1/2,500s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Atlantic Puffin THE RETURN (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 20,000, f/5.6 @ 1/2,500s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Razorbill (Alca troda, petit pingouin, RAZO) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 20,000, f/5.6 @ 1/2,500s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Sony Alpha a9 High ISO Birds in Flight Performance

Here are a few more images from my recent Deluxe Puffins Galore Workshop. As I am sure you can tell from the camera settings, we had a day of really foul weather. It was the perfect occasion to get the Sony a9 wet and see what it is made of! Although I did use a LensCoat rain cover, the rain was so hard and constant that I did manage to fog the viewfinder by the end of the day; I put the camera body with its body cap off into a zip-lock bag full of white rice to clear it out overnight.

Yet again, the camera amazed me; not only was it locking onto everything I pointed it at in low contrast and heavy rain, it excelled at high ISO! The details in the files are exceptional; Do take the time to read the setting I used under each image. The images above are all full-frame and lightly processed with some mild noise reduction applied. I don't post raw images, because I don't use Raw images for anything other than a starting point. It wasn't that long ago when 800 ISO was noisy, and here I was using 8,000 and 20,000 ISO!

The Sony Raw images require much less processing than my Canon 1DX Mark II, or files I have from other digital cameras that I have used. Although there is noise at 20,000 ISO as expected, the details in the darks are exceptional!

TIP: In order to get the most out of an image, but particularly at extreme ISO, remember that it is critical to expose the image correctly and try not to crop much! All cameras see light like us, they haven't yet figured out how to record darkness. If you brighten an image while processing it, then you are introducing noise.

Stay tuned for more about my time with the Sony a9

Thursday
Aug242017

Sony a9 for birds in flight photography

Atlantic Puffin with Capelin (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm. Full frame image. ISO 640, f/5.6 @ 1/5,000s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Sony a9 for birds in flight photography

Well, here it is; the first Puffin image I made with the Sony a9 and Sony FE100-400 F4.5-5.6 G Master Lens. After getting everyone in my first group for my Deluxe Puffin Workshop settled into their rooms in the lighthouse, and with a delicious lunch in our bellies on July 29, we headed down to the beach and started working on birds in flight. It was around four when I first lifted the new Sony rig to my eye for the first time. I didn’t take any pictures while tracking the first few Puffins, instead I tried to understand the autofocus system and what the autofocus settings were all about. I headed into this a little blind, as no one that I spoke to at Sony had much insight into where to start; using mirrorless cameras for birds-in-flight was uncharted territory (for the most part). I needed to quickly understand what choices I had to tweak the autofocus system to best track these little erratic bullets as quickly as possible.

I had seen a few blog posts with sample images from the a9 where the autofocus had failed; A Robin flying from its perch in a tree surrounded by a clutter of branches and a Turkey Vulture sticking its head out from long grass. Both sequences of images were out of focus, and the author left out some critical information about which AF settings he had used. Both sequences were out of focus because of user error (in my opinion); the AF point cluster that the photographer had likely chosen was set to large, so the camera didn’t have a chance, given the situation. I would have chosen single point to ensure the camera knew what to focus on. We need to know how our cameras work, what settings are available and when and how to choose them! BTW, those sample images I mentioned; neither one of them would have been sharp with any camera that had pretty-much all of their AF sensors active.

Before leaving for the trip, I downloaded the instruction manual and autofocus guide to iBooks, which made it available (and searchable) from my iPhone, iPad and MacBook; something I highly recommend everyone do this for every piece of equipment they own.

Download the a9 Instruction manual HERE

Download the Sony AF Guide HERE

Back to the Puffin image above; given the contrasty light and blue sky, this was a relatively easy image (for a practiced birds-in-flight photographer). I’ll be back shortly with more about my time with the Sony a9 soon, and will post more images of birds-in-flight and some high ISO images in the coming days. I will share my thoughts on adding, or switching to Sony, and more likes and dislikes. Stay tuned!

Kudos

My teenage son (an avid youth nature photographer) and I just came back from Chris' Puffin trip. We had a day of pouring rain, a day of cloud cover and a day of sunshine and Chris gave practical advice on how to get great images no matter what the weather. Chris is skilled at meeting each photographer where they are as he gives individual customized attention out in the field. Chris uses a variety of teaching strategies (including great metaphors!) to make complex information concrete and understandable. My son came back with incredible images - puffin portraits in beautiful golden light, puffins and razorbills with fish in flight, beautiful groupings, single puffins in grass, flowers and rocky cliffs. He also came back with a wealth of tips, tools and strategies. And amidst all of the superb photography instruction and individualized attention, there was also lots of camaraderie and great stories. Chris is not only an excellent teacher but an outstanding host. Can't wait for our next Chris Dodds adventure!

Deborah & Christopher Graham Ontario | Canada

Thursday
Aug172017

Sony a9 and Sony G Master 100-400mm lens ready for bird photography

Atlantic Puffin PORTRAIT OF A CLOWN (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm @ minimum focusing distance. Full frame image (top to bottom; left and right cropped to square aspect ratio). ISO 2,500, f/6.3 @ 1/1,600s Manual exposure mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

 

Sony a9 and Sony FE100-400 F4.5-5.6 G Master Lens: Ready for Bird Photography?

 

Canadian Nature and Wildlife Photographer Christopher Dodds with Sony FE 100-400 F4.5-5.6 G Master Lens


My friends over at Sony Canada sent over a Sony a9 and Sony FE100-400 F4.5-5.6 G Master Lens for me to test while leading my four consecutive Deluxe Atlantic Puffins Galore Workshops in Puffin Paradise. The workshops were a huge success, with crew after crew of wonderful participants and awesome photographers who all made boatloads of Atlantic Puffin and Razorbill images, while enjoying life on a tiny island and the ambiance of a lighthouse with gourmet meals - it was fabulous! Learn more & sign-up for my 2018 Deluxe Puffins Galore trip HERE.

The Sony a9 is the first mirrorless camera I have tested that is capable of replacing my current Canon 1DX mark II camera bodies. So, why did I consider adding, or moving away from my current Canon set-up in the first place? Like all of my workshop clients and friends who travel and constantly worry about getting camera gear in the cabin of the airplane as carry-on (or who may be tired of lugging all of the “big and better” stuff around), I am always on the lookout for smaller, lighter, better and more manageable cameras; In this case, the a9 offers some incredible specs. to the birds-in-flight photographer, as seen on the Sony website HERE.

The camera arrived moments before we left for the long drive, and because it uses Contrast and Phase detection autofocus points built into the sensor, I didn’t have to worry about delaying my departure, and taking the time to micro-calibrate the camera and lens before leaving; My Canon SLR cameras have a separate auto-focus sensor, which require micro-calibration (or, to be more specific; require me to go through the process of micro-calibration to make sure the camera and lens combination are producing sharp images, even if no calibration is required). Having undertaken the time consuming task of the micro-calibration of all of my Canon cameras and lenses, and any combination possible with tele-converters countless times …… this is huge!

The Sony a9 and G Master 100-400 feel great in the hand, and seem perfectly balanced and easy to hold; a whopping two and a half pounds lighter than my Canon 1DX with Canon 100-400!

I quickly set-up the camera for birds-in flight action photography and immediately found the autofocus to be almost a magical dream of perfection. The AF points cover 93% of the surface of the sensor; this seems to be a huge advantage for keeping really fast and erratically moving subjects in the viewfinder. Initial autofocus acquisition seems so fast with this camera, that I had absolutely no hesitation hammering away the moment I had the target in the viewfinder. The results are remarkable! I spent every moment (unfairly) trying to make the Sony a9 fail with circumstances that I know none of the other brands can keep-up with; I was on a beach at low tide in low contrast light, aiming at Puffins flying low over seaweed covered rocks. All of the Canon cameras that I own, and Nikons I have owned and used would focus on the seaweed covered rocks. I could point the camera at the Puffin while it was tiny in the frame (well before I would normally try to acquire autofocus), and the camera would pick-up, and focus on the Puffin nearly every time. It seemed like there was an algorithm in the firmware that was looking for something moving in the frame to target. It would lock-on and stay with the Puffin all the way along its flight path towards me. Autofocus systems are challenged by objects moving towards the camera at a constant rate of speed; as an object approaches a camera at a constant rate of speed, we must move the focusing ring faster to keep the object in focus (or the camera’s autofocus mechanism must accelerate its adjustment). This often proves challenging to even the best autofocus systems; the Sony a9 kept-up every time! I was blown away.

I quickly realized that there was a lag between the live view on the back of the camera, and it’s automatic switch to the EVF (electronic viewfinder) when the camera is brought up to the eye. This felt awkward and interfered with my “target acquisition”,  so I switched to EVF display only, and was surprised that there was no menu choice to use the EVF for shooting, and the rear LCD to display the menu; In other words, when the camera is set to use the EVF display, you have to use the EVF for live-view (perfect), and menu adjustments (not-so-perfect). I quickly set-up a custom menu, with it’s first option to switch back the display to the rear LCD screen for when I want to make menu changes. The EVF was remarkably good and didn’t take long to get used to. Not having to drive the rear LCD increased battery life immensely, and I regularly filled a 128GB card with 2,200 RAW images on a single charge with battery life to spare.

I installed a Black Rapid Sport strap to sling the camera (and lens) over my shoulder at my waist; I quickly adapted to partially depressing the shutter button as I lifted the camera to my eye to “wake” the sensor and EVF. Since SLR cameras don’t need to keep the sensor energized to project an image in an EVF, this is not a problem when using a traditional SLR with optical viewfinder. This seemed a pain at first, but it really didn’t take long to develop muscle memory, and it became reflex very quickly.

I set the camera to silent mode, which seemed really strange @ 20 frames per second, but I quickly grew to love the silence, and think this to be a huge bonus while photographing flighty subjects like warblers that take-off at the sound of a camera shutter.

The image files are fantastic! At first, I thought there may be a huge gain in dynamic range, but after spending time with the files, I feel it is fair to say there is about 1/3 to 1/2 stop gain in dynamic range at higher ISO, but files at lower ISO seem to compare with those from the Canon 1DX mark II. I haven’t gone to great lengths to scientifically test them, as I will leave that to others and all I am really interested in is getting the better image. Files seemed richer, sharper and more saturated than those from the Canon 1DX mark II. Although I applied the same workflow to the images from the Sony a9 as I do to images from my Canon 1DX mark II, I only needed to apply about half as much of everything to produce some extremely awesome results.

In conclusion, I fell in love with the Sony a9 and Sony FE100-400 F4.5-5.6 G Master Lens! It’s a super light and manageable combination @4.5 pounds that can be hand-held all day long. The autofocus system is second to none (that I have used), it’s silent 20 frames per second with a huge buffer will keep even the most trigger happy birds-in-flight shooters happy, and the files this camera produces are stunning. This is the perfect combination for those who don’t choose the weight or reach of a super telephoto lens (as there are none currently offered by Sony….but they would be wise to jump on a native Sony e-mount 500 or 600mm f/4 lens soon!). Paired with a second body and wider zoom, it would be the perfect kit for an African Safari!

I haven’t yet tried any of the adapters which allow you to use Canon and Nikon lenses at 10 frames per second, mostly because I don’t see an adapted lens as a long term or reliable solution. Please do take the time to make comments here if you can offer any insight from your experience with any of the adapters available; We would love to hear your thoughts.

I’ll be back shortly with more about my time with the Sony a9 soon, and will post images of birds-in-flight and some high ISO images in the coming days. I will share some of things I learned about using the camera and offer some suggestions for menu choices. I will share my thoughts on adding, or switching to Sony, and more likes and dislikes. Stay tuned!

Kudos

I’m an experienced wildlife photographer and I’ve had puffins on my bucket list for several years. Around my Colorado home, I scout my own sites and work my network of photography buddies, so I know what it takes to find good sites, get in and then have the wildlife cooperate, to get good pictures. I’ve even been a scout for a leading professional photographer, looking for superior deer and turkey subjects and locations.
 
Regarding puffins, I’d considered renting hide times, but most involved day-trips on boats. Most importantly, time in the hide is limited and you won’t necessarily be able to shoot when they’re feeding, nor will you likely shoot in ideal light. Angle of view is often not ideal from a hide.
 
I don’t know how, but I ran across Chris’ Deluxe Puffins Galore Workshop at the Mingan Archipelago National Park of Canada. It sounded too good to be true. You can shoot ALL DAY and have gourmet meals morning, noon and night. Hang on.
 
The “galore” part of the title is entirely true. I took over 13,000-shots in my three-days. It required merciless culling to get down to under 200 for sharing. I have many worthy of framing and the culls contain many shots that I might have been happy with, had I not had so many superior shots.
 
There are rules, to protect the birds, about where you can go on the islet, but that in no way excludes you from puffin activity. For example, every evening, we sat in chairs as puffin filled our frames landing, taking off, kibitzing, posing, all in ideal light. By the end of the first day, I didn’t know how I’d possibly improve my shots, but I did, indeed, add to my archive.
 
Importantly, Chris is an affable and professional guy, but he pays close attention to safety, respect of our subjects and comfort of his guests. Everyone in my group was experienced, with good equipment. In fact, I was the only newbie. All had shot with Chris before. Guess what, I’ve signed up for his Snowy Owl Adventure, next January. I suspect that won’t be my last.
 
Chris delivers a premium product, in every way. Planning information was thorough and detailed, making it crystal clear what you needed to get there, to wear, etc.. The only thing left was to take the pix.
 
This is a premium product and a photographer’s dream. This is THE way to shoot Atlantic puffin.

Dave Stephens Colorado | USA

Visit Dave's Portfolio from the trip HERE.



 

 

 

 

Thursday
Apr272017

Bald Eagle FOCUS

American Bald Eagle FOCUS from my Bald Eagle Photographic Expedition (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX mark II, EF600mm IS II USM. ISO 4,000 f/4.5 @ 1/2,000s Manual exposure mode. Click HERE to order a print or license image for publication.
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No matter what your level of experience you can learn from Chris!


I have been a registered NPS Nikon Pro for years and am now a registered Canon CPS pro photographer.  I have had the privilege of photographing wildlife and landscape for years.  When I found Chris’ web site I was super impressed with the quality of images so I signed up for his Homer Alaska eagle trip for early March 2017.


Chris has a wonderful warm personality whom cares about his fellow photographers on his trips.  I learned additional trips and traps from him and he assisted my conversion knowledge from Nikon to Canon gear.  His help was thoughtful, accurate and delivered in a manner that assists one getting the very best of images.  His approach to using manual exposure is brilliant and one that any bird photographer should embrace for improved outcomes.  He also very focused on the important light directions which can make or break your image outcomes.  If you travel the London England underground tube system you cannot get the safety message “mind the gap” off your mind – when you travel with Chris you will now have the message in your mind “mind the shadow direction”.  The techniques and tools Chris instills will serve you well in all your photographic moments.      


I came home from this trip with stunning images that are impressive!  Chris makes his duty that you obtain the type of images you hoped to achieve.  Wildlife is unpredictable but Chris will assist you going home with more than you thought possible.  His knowledge of the photo industry is very deep.  You will find you will enjoy the fireside chats, learn from every moment, and enjoy his company.  


Chris also spends considerable time on scene to ensure that his location he determines for his photo workshop choices provide the photo opportunities you want.   His pre-trip information is one of the best I have experienced for assisting your planning to the very smallest detail.  I have already booked my next trip with Chris which confirms he is truly a person that you should meet and create wonderful images together.


Wynne PowellBritish Columbia, Canada 

Friday
Mar312017

Bald Eagle FISHING FRENZY

American Bald Eagle (with Pacific Saury) FISHING FRENZY from my Bald Eagle Photographic Expedition (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX mark II, EF 100-400mm F4.5-5.6 IS II USM @234mm ISO 1,000 f/5.6 @ 1/4,000s manual mode. Click HERE to order a print or license image for publication
This year's Eagles Galore workshops were a huge success. We were blessed with EPIC light and more Eagles than I have ever seen in all of my years leading workshops to Alaska (and I thought we had a record turn-out in 2003). We were across Katchemak Bay and on the beach well in advance of sunrise and the wind was blowing perfectly from behind us. There were at least 150 Eagles fishing right in front of us! The Eagles were close, the action was hot & heavy, light golden and memory cards were smoking!  

This image is made with the new Canon EOS 1DX mark II and Canon 100-400mm f/4.5-5.6 L IS II USM @234mm! What can I say? This combo is easy to hold for long periods of time, has amazingly reactive auto-focus, and seems so good it is impossible to put down!

Be sure to learn more about my March 5-9, 2018 Eagles Galore Photo Workshop HERE and read my testimonials HERE.